Ghost Shows: Episode 2 – Lockdown Ghost Shows follows the shows that were conceived, programmed and even rehearsed in 2020 but were closed down before they’d even … The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. Winner of four Olivier awards and two Tonys, Paule Constable is a lighting designer who needs no introduction. She is an associate director of the National Theatre and of Matthew Bourne’s New Adventures. Paule Constable is a British lighting designer. Paule Constable Jerry Healy Joan Major Kate Morley Anthony Pins (Chair) Sir Ralph Waller KBE Paule Constable One of the few women working at a senior level in this area she is a huge believer in supporting the development of a more diverse theatre community and in finding ways to make the theatre work to a more sustainable model. Being an electrician, my technical knowledge was quite good. “I worked with him and helped him out a lot. Constable pinpoints the beginning of her journey to success to a pivotal moment when she became the first woman to light a show at The National Theatre in 1993. In 2005 Paule Constable was the first woman to win an Olivier Award for lighting design.She has since won three more Oliviers, along with two Tonys and three ALD (Association of … I don’t think of myself as much of lighting designer, as someone who works with darkness. After doing a lot of climbing when she was younger and having never been frightened of heights, she was immediately happy amongst theatre’s stage rigging and equipment. Paule Constable is credited as Designer. I look at architectural lighting design, particularly in interiors – it can be quite functional or it can be quite transcendent. Within an industry that is male dominated, achieving this level of public recognition has been a highlight in her professional career. In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse. Stevie worked closely with DV8 and was renowned for working in experimental theatre. I love their relationship to landscape and talking to them, I was fascinated to see how similar their thinking was to mine. Whether it is in theatre, architecture or any other environment, this anecdote encapsulates what designing with light can create. Trivia (1) She was nominated for a 2003 Laurence Olivier Theatre Award for Best Lighting Designer of 2002 for Play Without Words performed at the Royal National Theatre: Lyttelton. You feel as if you are creating the show with him, creating an immersive experience for the audience.”. Paule Constable Wins Oliver Awards’ Best Lighting Design 2020 26th October 2020 Last night, the winners of this year’s Olivier Awards were announced in a special programme presented by Jason Manford at the London Palladium which was broadcast on ITV as well as streamed live on Official London Theatre’s Youtube channel. There are so many ways to experience space and that becomes the common ground between all lighting designers. “He uses light in a very particular way, it is so resonant.”. I realised that I was the wrong person for them to be talking to. Acclaimed lighting designer Paule Constable will deliver the 2020 Trotter Paterson Lecture, taking place on 10 September, the Society of Light and Lighting (SLL) has announced. This thrilling, audacious, and witty production was one of the last live performances at City Center in 2020. My name is Paule constable and I'm a British Lighting Designer. “My work doesn’t use a lot of saturated colour but I’m really interested in height and naturalism – ideas that come from a reality. On Monday, much to the manager’s surprise, the award was nowhere to be seen. Paule has is an associative of the National Theatre, the Lyric Hammersmith and Matthew Bourne's New Adventures. In that time, academic study of lighting was rare and the route into the industry came from people who were working as electricians. “It was a piece I’d never done before; based on an 18th century German play by Buchner, written by Berg as a response to the First World War. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. “Even if you’re working in a tiny space, you have to find a sense of why light is there; working in a medium that is never entirely finished, it is entirely illusive,” she adds. That is a very different discipline.”. In addition, Constable draws inspiration from cross-discipline sources, finding reference material that unlocks her creative vision in sources such as American photographer Gregory Crewdson. She won the 2005, 2006, 2009, 2013, 2020 Laurence Olivier Award for Best Lighting Design. During her studies Constable went through the motions of wanting to become an academic or a director. Excerpt from the interview: Today we are speaking with Paule Constable, who is a UK-based lighting designer. Mr Day said he became involved in the Les Misérables concert production through Olivier Award-winning lighting designer Paule Constable, who worked on numerous hit shows … Paule Constable, Camera Department: Carmen in 3D. – Paule Constable won the 2011 Tony Award for Best Lighting Design of a play for “War Horse.” The production of “War Horse” toured through Chicago at the Cadillac Palace Theatre December 18, 2012 – … Therefore, allowing the stage to become the inside of his head. We wanted to make it an experience for the audience, a journey they went on with Christopher – the lead character,” explains Constable. We did a stripped back version of it designed by Vicki Mortimer – a close friend and colleague of mine – and directed by Sir David McVicar – someone I have worked with for 20 years. There will also be a discussion panel based on the subject of diversity in the lighting industry, chaired by award-winning lighting designer, Paule Constable. “I am the only female senior lighting designer in this country who has global recognition – partly because I do a lot of opera. What is apparent through lighting, whether it is theatrical or architectural, is that lighting designers share the same foundation of skills. As a member of the audience you understand the rules of the space within the first ten minutes. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. The English degree in question she pursued at Goldsmiths College in London, which at the time – in the mid 80s – was a hub of creativity, producing the likes of Damian Hirst, under the guidance of Dean Richard Hoggart. The National Theatre will host a special platform with the original creative team of its award-winning production of The Curious Incident Of The Dog In … IBDB provides records of productions from the beginnings of New York theatre until today. Paule Constable, a lighting designer with Freelancers Make Theatre Work, said the workforce had been "decimated" in the live performing arts … When comparing theatrical lighting and architectural lighting, the link may seem unrelated. align="center" Paule Constable is known for her work on The Royal Opera House: Faust (2019), National Theatre Live: The Threepenny Opera (2016) and National Theatre Live: Follies (2017). After being in the industry for a short time, she realised that it wasn’t just the technology that interested her but also the storytelling of lighting. This to me is objectified lighting – it has a strong external hand. mondo*arc caught up with Constable, after a showing of The Curious Incident of the Dog in the Night-Time, to talk about light and its ability to adapt. Even a small detail like that, you do it properly and it can make people’s travelling more enjoyable.”. The other nominees included Howard Hudson for & Juliet , Neil Austin for Rosmersholm and Bruno Poet for Uncle Vanya ; with the latter two shows supplied by WL. Leading Light with…Paule Constable Leading Light Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Some of my work has been seen ion the US - most recently on The Curious Incident of the Dog in the Night on Broadway. With the focus on stimulating the audience and to reflect Christopher’s state of mind, the team looked at how the space would respond. We had to make sure that it felt like he was making it happen – a brilliant conversation between mediums,” comments Constable. It discovered me really. Their work for me feels like it wants to do both things. It is about learning that you don’t have to be able to do everything. “I didn’t know what to do next. National Theatre: The Power of Yes, Phèdre, Death and the King's Horseman, Saint Joan, Waves, … Matthew Bourne’s Swan Lake is as daring and beautiful as ever. Episode 6: Paule Constable Paule Constable is an Olivier and Tony Award winning Lighting Designer who is an Associate Artist of New Adventures and whose work with the company includes “Swan Lake”, “The Red Shoes, “Sleeping Beauty”, “Romeo … The weird thing about lighting is that people can use the idea of technology as a weapon against you. Being in a position to champion them is really important,” she explains. Just like in Heathrow’s terminal five, with thoughtful design, even simplistic lighting can deliver a grand impact. Freelancers Make: A Theatre Podcast Ep 1 – Paule Constable Paule is an Olivier and Tony award-winning freelance lighting designer. They tend to have a very level head in that particular role. During the free-to-attend online presentation Constable was the first recipient of the highly prestigious Opera Award for Lighting in 2013. When working at the English National Opera, after just winning an Olivier award, the stage manager told her that she must bring it in the following week. Seizing the opportunity, Constable pretended to be her, took her job as a follow spot operator and turned up at the Hackney Empire to announce “I’ve no idea what I’m doing”. However, Constable believes that the understanding of light and its application is universal. Paule Constable is known for her work on Carmen in 3D (2011), National Theatre Live: The Threepenny Opera (2016) and … That can be a problem for young people to come into the business,” she explains. “It went to show and tell with my kids,’’ says Constable. I was thinking about light as a dynamic, story-telling thing. “I wanted to reflect the same above him, to create Christopher’s world, his machine. West End: Love Never Dies, Oliver!, Evita, Don Carlos (Olivier Award). It plays from 2 December to 22 January 2022. I simply followed my nose.”. Sustainable theatre network, Staging Change, talks to internationally recognised lighting designer, Paule Constable, about how she works on … With work spanning a broad catalogue of opera and theatre productions, her stripped back approach to lighting design has earned global recognition. At first I never thought it was going to work but in the end we got close to something that really landed with the music,” says Constable. As in offices, when it needs to be functional, compared with places that need to be stimulating.”. She's worked on … In her own projects, she worked with a lighting designer in the UK called Stevie Whitson who was very experimental after coming from La Mama theatre in New York. It plays from 2 December to 22 January 2022. She has worked on shows like Ocean at the End of the Lane Dance includes productions for the Royal Ballet, the Ballet Boyz, Matthew Bourne and Birmingham Royal Ballet. However, Constable’s favourite show of last year was a production of Wozzeck – the opera – in Chicago. Then there are people who objectify light like Dan Flavin – even though his work is still about colour balance. Learning on the job, Constable followed the advice of a couple of key designers who mentored her. Search Results for Paule Constable on WhatsOnStage Close Menu Shows & Tickets close London West End Off-West End Richmond Wimbledon West End Special … Constable went on to describe a brief encounter with the V&A museum that opened her eyes to how light can be interpreted in space. Constable attributes its creative value to the feeling that “there is something about working in a landscape that is not necessarily understood, seen or overt. There is a collective sense that you are going to share something with the actors. When asked about her influences along her journey to success as a lighting designer, Constable responds: “Through learning, there have been people who have been very influential to me. “Learning to look is the secret we share. Only a few hours left before t, With all of the excitement surrounding th. With my work, I can start with nothing but I don’t think in architectural work anyone can really do that. Aside from ups and downs, Constable has received four Olivier and two Tony awards for her work in lighting. “We began with a floor of LED pixels in a grid. I worked in the music industry for a few years, then experimental theatre and devised theatre. Her commercially successful shows such as The Curious Incident, War horse and Wonder.land, which travel the world or appear on Broadway, obviously attract the most media attention. The Cripple of Inishmaan Cast List on Broadway.com, the most comprehensive source for Broadway Shows, Broadway Tickets and Broadway Information. Paule recalls: “Stevie was I was recently in terminal five at Heathrow, when my plane was delayed. “They are nineteen and seventeen now but back then they must not have known what the bust of Olivier even meant.”. With this in mind, they came up with the idea of a square and then Constable created the idea of having a pixel grid of LEDs and RGB light boxes, which are used to represent objects throughout the performance. She is an associate director of the National Theatre and of Matthew Bourne’s New Adventures. The coming together of the piece, the creative team, the cast and the space made for a great production. All in white, it was hard, brutal and really stripped back. Shows Jobs Store toggle menu Go toggle search form News Features COVID-19 Updates Social Selects ... Paule Constable Designer Roles (12) Angels in … He was completely anarchic and brilliant. “Being female and having children has been tough. Although it may seem like a somewhat unlikely correlation, Constable explains: “It’s amazing how many military kids gravitate towards theatre.”. You go into their spaces and you feel different – your senses wake up. The need to make friends quickly and the peripatetic nature of this lifestyle made theatre attractive to her. The Royal Court: Clybourne Park (also West End), The City, Krapp's Last Tape, The Country, The Weir (also West End and Broadway). I like stripping back to a truth and then heightening that,” states Constable. Paule is an Olivier and Tony award-winning freelance lighting designer. I use the technology to be creative but I can’t talk to you about the technical minutiae of how we manage data in say Curious Incident. It has been done thoughtfully without feeling suppressive. Similarly in theatre, say with musicals, the lighting often has to create rhythm and shift the space in a very overt way – not working from the inside but imposing an agenda on a moment. She is an associate director of the National Theatre and of Matthew Bourne’s New Adventures. These people, along with many others, made Constable realise that light could be more; it didn’t have to be purely functional. In terms of gender balance within my own teams, most of my favourite programmers are women. I think this is true with architectural work, you can see there are places where people are really telling a story with a space or places that are rudimentary and functional. I wasn’t thinking about lumens, functions, labels and walls. “That is pretty shameful but I suppose that was the start of a big journey for me as I’m an associate director there now,” she says. Her success and recognition within the industry is often attributed to her unique process, which tends to be simple and stripped back. Growing up in a military family, lighting designer Paule Constable has moved around all of her life. Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. But now things change very quickly. Apr 21, 2015 - The Curious Incident of the Dog in the Night-Time Lighting Design: Paule Constable Read how Paule Constable designed the lighting for WAR HORSE! The public don’t obviously always notice or perceive light. }, Architectural lighting brand TLS has announced the, "When you see other women achieve and overcome adv, Our cover star for arc #121 Paule is an Olivier and Tony award-winning freelance lighting designer. This is achieved, in the most part, by a stage brought to life through intelligent lighting and the diversity of LEDs. I'll be here from 7pm - … Through looking at other people’s work and realising it was different, particular and special.” More specifically, she cites Germany’s Wolfgang Goebbel, who created a very different aesthetic to anybody on the UK stage, as well as Jean Kalman from France. However, during a real-life piece of theatre, her flatmate – a stage manager at the time – fell madly in love and ran away to Spain. For example, shows such as The Curious Incident of the Dog in the Night-Time doesn’t use traditional scenery to tell the story, but instead uses gesture and lighting to create the impression of a room with nothing. “Where is it?” they said. Other theater: Ivanov (Donmar at the Wyndhams); The Chalk Garden (Olivier Award); Othello, Proof, Little Foxes (the Donmar); The Good Soul of Szechuan, Generations, Vernon God Little (Young Vic); Blasted, The Servant, Oliver Twist (Lyric Hammersmith); Les Misérables (25th Anniversary Concert at the O2, together with lighting design for the new 25th anniversary production). Among her more than 30 productions for London’s National Theatre, where she is an associate director, are three that have transferred with great success to Broadway: The Curious Incident of the Dog in the Night (2013 Olivier Award, 2015 Tony Award), War Horse (2011 Tony Award), and Coram Boy . Based on long collaborative relationships between the team behind the show, the result is a spectacular display of light, sound and interaction. Originally, I would hang my own lights and do my own programming. Another significant moment in her career has a very heart-warming story behind it. Opera: productions for the Royal Opera House, Glyndebourne, ENO and numerous productions throughout Europe, North America, Australia and New Zealand. Lighting is a very diverse medium, from theatre to architecture it can be manipulated to impressive effect. Stevie worked closely with DV8 and was renowned for working in experimental theatre. The road to success is often described as a bumpy one and Constable’s has been no different. It’s so many contrasting things”. With a simple, clear and honest approach, the focus remains on the right idea, light, the right moment to not feel obliged to do everything and the right moment to release a particular story. Invigorated by the artistic essence of the institution, Constable changed after a year to a combined English and Drama course because “…it was just a better course for me,” she explains. She has worked on shows like Ocean at the End of Incredibly modern, short and episodic, it’s really angry. “The area that people such as Olafur Eliasson and James Turrell are exploring is absolutely the area that concerns me. They were scared by the way I think about light. West End: Love Never Dies, Oliver!, Evita, Don Carlos (Olivier Award). Constable explained: “Because of A-level Physics I could rewire stuff and I loved the creative aspects of lighting. “When we first started making Curious Incident, LEDs would flash on and the story would get lost as it felt as if the lights were doing something to him rather than with him. “One thing I think is interesting about architectural lighting design, I discovered during a brief encounter with the museum. You walk through the tunnel and you feel like you’re in a Sci-Fi movie – it is alive. For behind-the-scenes photos, videos and live chats with LCT artists. Paule recalls: “Stevie was Something about the subversive nature of it. Based on the protagonist’s immaculate attention to detail and fascination with his surroundings, the team thought he would love technical theatre, lights and equipment. It’s not concrete and not right or wrong; it is incredibly lyrical but also literal. The production will have design by Bunny Christie, lighting design by Paule Constable, video design by Luke Halls and casting by Charlotte Sutton CDG. Your speakers for Virtual Showlight 2021 are: This philosophy runs through into her lighting of theatre. Winner of four Olivier awards and two Tonys, Paule Constable is a lighting designer who needs no introduction. .td-banner-wrap-full { “It’s kind of Amish,” explains Constable. Originally I was considering architecture, then I thought about engineering but in the end I decided to do an English degree,” says Constable. For the cov, Winner of ‘Best of the Best’ [d]arc award (pro, Winner of the product category KIT: Exterior is…, Winner of the product category KIT: Interior is…, Winner of the EVENT category is… Acropolis Light, Winner of ART: Bespoke category is… Carousel of, Winner of ART: High Budget category is… Grow in, Winner of ART: Low Budget category is… Search of, Winner of SPACES: High Budget category is… Magic, Winner of SPACES: Low Budget category is… Santa, Winner of PLACES: High Budget category is… Norwi, Winner of PLACES: Low Budget category is… The Co, Winner of STRUCTURES: High Budget category is Acro, Winner of STRUCTURES: Low Budget category is Iron, IT’S HAPPENING! Like many young and brilliant minds, Constable studied an eclectic mix of arts and science subjects through school, culminating in A-levels in Maths, Physics, English and History of Art. I walked through the subway and the way the LEDs are used is really beautifully put together. As a great lover of the outdoors and, more specifically, an obsessive fell runner, Constable’s appreciation for light and the way it interacts with landscape, people and space runs deep. She won the 2011 Tony Award for Best Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. For Best Lighting Design, Paule Constable won her fifth award for her work on The Ocean at the End of the Sea. National Theatre: The Power of Yes, Phèdre, Death and the King's Horseman, Saint Joan, Waves, Coram Boy (also Broadway, Tony nom. “I already had an academic strand to my life with an English degree and a love for literature, as well as a very practical strand and I didn’t want to do something that was purely one or the other.” It was at this point that she realised design was the missing piece to her puzzle. Lighting Designer - Paule Constable Musical Director - Nigel Lilley Sound - Paul Arditti Author - Cecil Philip Taylor Unlike film, theatre doesn't have an official age classification organisation. These shape how people experience, perceive, feel and immerse themselves in space. ), Jumpers (also Broadway), His Dark Materials (Olivier Award). Paule Constable Videos including on stage appearances, live events, award shows, concerts, tv shows and more from BroadwayWorld TV and our extensive Stage Tube coverage. In a world where role models are really important, winning awards is great to prove to people that it is possible. Citing the work of Speirs + Major, she says: “I’ve always really loved their work because it’s story driven. He made you believe that light could do anything,” she explains. Of her life productions for the audience. ” a small detail like that, you it. Is still about colour balance last live performances at City Center in 2020 ’. Be quite transcendent about lumens, functions, labels and walls ’ s New Adventures, paule constable shows,,! I Love their relationship to landscape and talking to them, I discovered a. His machine records of productions from the interview: today we are speaking with Paule Constable, who a! Work for me feels like it wants to do both things Olivier )! I discovered during a brief encounter with the actors she won the Tony for... Into her lighting of theatre its application is universal read how Paule Constable, who is a spectacular display light. 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